How to book:

* This link will take you to an external ticketing system.

WILLIAM FERGUSSON Piano Concert 

MUSIC

The brief: tantalising.
The challenge: ultimate.
To express the enigma of the ultimate
statement of the ultimate composer. If Beethoven’s Ninth is majestic in
its eclectic, physical universality, the
unfinished Tenth remains awesome in
its mythical grandeur, seductive in its
impossibility: Gödel’s Theorem made flesh. Firstly I improvised on the
idea itself. I then meditated on
Beethoven’s sketches, noting
the two contrasting themes:
A 4/4 Andante in Eb. A 3/4 Allegro
in Cm. Interpreting these as
complimentary opposites, I sought
to locate their points of friction,
fusion and ignition.
Could the square and circle be
fertilised to form our perfect circle?
TENTH is no academic realisation,
but a noble play on the idea of
a great work that cannot exist.
My hope is that it stands as worthy
testament to a legacy whose
celebration was drowned in the
waves of pandemic.

End Time: 7:00 pm (approx)

WILLIAM FERGUSSON Piano Concert 

MUSIC
End Time: 7:00 pm (approx)

How to book:

* This link will take you to an external ticketing system.

The brief: tantalising.
The challenge: ultimate.
To express the enigma of the ultimate
statement of the ultimate composer. If Beethoven’s Ninth is majestic in
its eclectic, physical universality, the
unfinished Tenth remains awesome in
its mythical grandeur, seductive in its
impossibility: Gödel’s Theorem made flesh. Firstly I improvised on the
idea itself. I then meditated on
Beethoven’s sketches, noting
the two contrasting themes:
A 4/4 Andante in Eb. A 3/4 Allegro
in Cm. Interpreting these as
complimentary opposites, I sought
to locate their points of friction,
fusion and ignition.
Could the square and circle be
fertilised to form our perfect circle?
TENTH is no academic realisation,
but a noble play on the idea of
a great work that cannot exist.
My hope is that it stands as worthy
testament to a legacy whose
celebration was drowned in the
waves of pandemic.